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8 results in entries:
Figure 1. ‘Oil painting of a man smoking an opium pipe’ (Science Museum, London). This painting of a man smoking an opium pipe used to hang in the opium den run by Ah Sing (d. 1890), in New Court, Victoria Street, London. Ah Sing’s opium den was the model for the one described in Charles Dickens’ unfinished final story 'The Mystery of Edwin Drood'. It was probably the most famous of the dens in Victorian London and Dickens was just one of a number of well known individuals who visited it – presumably for research purposes. Maker: Unknown maker Place made: Europe.
by Xuelei Huang and Gemma McLean-Carr
Maker unknown, “Speculaas mold in the shape of a gun”, date and dimensions unknown, sold at Van Gils Antiek.
by Caro Verbeek
Figure 1. Maker unknown, “Cartoon from “Popolo di Roma”. Above: "Marinetti wants gastronomy to be enriched with 'unexpected' smells and tastes". Below: “– a broth – with naphthalene or with eau de Cologne?”, translation by author, ca. 1932. OSIM 0002000012.
by Caro Verbeek
Figure 1. A coffee plant (coffea arabica)… bordered by six scenes illustrating its use by man, coloured lithograph, c.1840. 225mm x 180mm. London, Wellcome Collection, 28052i (Public Domain Mark). https://wellcomecollection.org/works/cqraukw4/items
by James Brown
Figure 1. After P. Renouard, Wormwood Scrubs prison, London: four cooks in prison uniform standing in a line in front of buckets and baskets, process print, 1889, 15 x 20.8 cm, Wellcome Collection 37857i
by William Tullett
Figure 1. Street with shops in a town in the Dutch East Indies with shops (including 'Toko Tosari') and travelers in palanquins, c. 1900-1915, Rijksmuseum RP-F-00-6125-A
by Josephine Koopman
Bourdichon, Jean, Aspic [lavender] Horae ad usum Romanum, known as Grandes Heures d'Anne de Bretagne, between 1503 and 1508, Manuscript, paint, gold, parchment, 30 x 19cm, National Library of France, LATIN 9474.
by Jessica P. Clark
Figure 2. The Sanatorium and grounds, Bournemouth, 1880, photolithograph after an etching, 15651i, Wellcome Collection, London.
by Jonathan Reinarz