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Figure 2. G. F. Watts, Cupid Asleep, 1893, oil on canvas, 66cm x 53.3cm, Walker Art Gallery, Liverpool, WAG 2099
by Sally Holloway
Figure 1. ‘Cod. Min. 53, vol. 10, fol. 513r: Florilegium of Prince Eugene of Savoy: Iris’, Österreichische Nationalbibliothek (National Library), Austria. Public Domain.
by India Cole
Figure 5. A physician dressed in protective plague costume. Line engraving after J.J. Manget, 1700-1799. Wellcome Collection, 10075i
by Rose Byfleet
Figure 1. Close up of the compartments in a sixteenth-century pomander, gold and silver, c.1500s, Science Museum, London, A629413
by William Tullett
Figure 1. A rarer example of the adoration of the Magi scene in which frankincense is not just given but burnt, Jacob Gole, after Carlo Maratta, ‘Adoration of the Magi’, 1670-1724, mezzotint and engraving, 25.6 x 17.5cm, Rijksmuseum, Amsterdam, RP-P-1888-A-13907
by William Tullett
Figure 2. The Sanatorium and grounds, Bournemouth, 1880, photolithograph after an etching, 15651i, Wellcome Collection, London.
by Jonathan Reinarz