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Figure 1. Close up of the compartments in a sixteenth-century pomander, gold and silver, c.1500s, Science Museum, London, A629413
by William Tullett
Bourdichon, Jean, Aspic [lavender] Horae ad usum Romanum, known as Grandes Heures d'Anne de Bretagne, between 1503 and 1508, Manuscript, paint, gold, parchment, 30 x 19cm, National Library of France, LATIN 9474.
by Jessica P. Clark
Figure 1. A rarer example of the adoration of the Magi scene in which frankincense is not just given but burnt, Jacob Gole, after Carlo Maratta, ‘Adoration of the Magi’, 1670-1724, mezzotint and engraving, 25.6 x 17.5cm, Rijksmuseum, Amsterdam, RP-P-1888-A-13907
by William Tullett
Figure 1. A Chinese man with a tea pot and workers harvesting from Philippe Sylvestre Dufour, Traité nouveau de curieux du thé(Lyon, 1693), etching with engraving; picture 12.7 x 7 cm, Wellcome Collection 25251i.
by William Tullett
Figure 1. Coal Tar Color Works at Greenford, published in the Journal of the Society of Arts, 1877,  Wellcome Collection, London.
by Manon Raffard
Ozone
by William Tullett